Established in New York City in 2004, SAS/Solomonoff Architecture Studio PC is an award winning office that has acquired a reputation for work that is carefully tailored, discrete, and precise, with an emphasis on designs that are both unexpected and practical. The firm’s work ranges in scope from adaptive reuse projects to new construction, and in scale from private townhouses to large museums for art. The firm emphasizes the integration of design concepts and construction detailing to create projects with a comprehensive sensibility.
SAS/Solomonoff Architecture Studio is a New York State licensed minority/women-owned business.
Galia Solomonoff, AIA / Creative Director
Argentinean-born Solomonoff is the founder and Creative Director of Solomonoff Architecture Studio. Before establishing Open Office and later SAS, Solomonoff worked with Rem Koolhaas/OMA, Bernard Tschumi, and Rafael Vinoly. She has directed award-winning proposals for architectural and urban design competitions in Europe and the United States, and received a National Endowment for the Arts grant. Solomonoff teaches at Columbia University’s GSAPP, and has taught at The Cooper Union, RISD, Princeton University, and Yale University where she was honored with the Louis Kahn Chair. Solomonoff holds a Bachelor of Science in Architecture from City College CUNY, and a Master of Architecture from Columbia University; she is a licensed architect in the State of New York.
Laura Buck / Designer
Laura joined SAS in 2014, and has developed residential, commercial and museum projects. Prior to joining SAS, Laura worked on commercial and fabrication projects for Allied Works Architects and Latent Productions. Laura holds a Bachelors degree from Vassar College and a Master of Architecture from Columbia University.
Martí Amargós Rubert / Designer
Martí joined SAS in 2015, and has worked both in residential and institutional projects. Prior to joining SAS, Martí worked as an architect in Barcelona. He holds both a Architecture degree and a Masters from the Universitat Politècnica de Catalunya. Upon receiving La Caixa fellowship in 2012, he pursued and completed the Masters of Science in Critical, Curatorial and Conceptual Practices in Architecture from Columbia University.
Jesse Catalano / Designer
Jesse joined SAS in 2013, and has developed museum and master-planning projects. Prior to joining SAS, Jesse worked as a designer at Dlandstudio. He holds a Bachelor of Arts from Middlebury College, has studied at the University of Ferrara in Italy, at Parsons in New York and Paris, and is currently a Master of Architecture candidate at Columbia University in New York.
Eva Hagberg / Communications Director
Eva Hagberg joined SAS in 2011 and is the Communications Director. Her writing can be found in publications such as Wallpaper*, Metropolis, the New York Times, Wired, and esquire.com. She has authored two books on contemporary architecture, Dark Nostalgia and Nature Framed. Eva received her Bachelor of Architecture from Princeton University.
Bruce Hinternish / Finance Management
Hinternish joined SAS in 2012 and is in charge of the firm’s billing and bookkeeping.
Carolina Llano / Designer
Carolina joined SAS in 2015, and has worked on residential and institutional projects. Prior to joining SAS, she worked on residential projects for MAD Architects in Beijing. Carolina holds a Bachelor of Science in Architecture from the University of Florida and a Master of Architecture from Columbia University.
Pamela Lucero / Office Management
Pamela joined SAS in 2013 and manages the firm's daily operations, scheduling, and archiving.
Talene Montgomery / Designer
Talene joined SAS in 2014, and has developed residential, commercial and museum projects. Prior to joining SAS, she worked on exhibitions at INABA and SUPERPOOL, as well as institutional, commercial, and residential projects at Belmont Freeman Architects. Talene holds a Bachelor of Arts in Architecture from UC Berkeley as well as a Master of Science in Historic Preservation and a Master of Architecture from Columbia University.
Manuel Rearte / Consultant
Manuel has worked with SAS since 2006 and contributes to the development and visualization of the firm’s projects. In 2010, Manuel co-founded an independent design and visualization studio producing digital content of exceptional quality for several internationally-known architects and developers. Prior to founding his own studio, Manuel worked on the design development of several projects, including the 2010 Spanish Pavilion by Enrique Miralles Benedetta Tagliabue. He holds a Bachelor of Architecture, with a minor in Construction Administration, from the University of Houston, Texas.
Alejandro Stein / Designer
Alejandro joined SAS in 2014, and has worked on commercial, residential and museum projects. Prior to joining SAS, he worked as a designer in Miami and New York. Alejandro holds a Bachelor of Arts in Architecture from Florida International University and a Master of Architecture from Columbia University.
Post-Ductility: Metals in Architecture and Engineering Forthcoming, 2010. Columbia University, MIT Press
Layered Urbanisms: Gregg Pasquarelli / Galia Solomonoff / Mario Gooden Yale School of Architecture, W.W. Norton & Co., 2008
Perspecta, Defecting Fame by Galia Solomonoff, Issue 37: Famous, p 122-130, 2005
Latin American Architecture: Six Voices (Studies in Architecture and Culture, No 5) K. Frampton, M. Quantrill, M. Waisman, D. Barco, G. Solomonoff, M. L. Tribe, P. J. Rodriguez Texas A&M University Press
Bob, the Pavilion by Galia Solomonoff. SLUM Lab: Sustainable Living Urban Model, Fall 2011, ETH Zurich/Columbia University GSAPP/The City College of New York SSA: pp.89-91
La Gaceta de los arquitectos El elogio a la tenacidad by Galia Solomonoff, #85: Practica Profesional. Rosario: Colegio de Arquitectos de la Provincia de Santa Fe, December 2008. p.19
New York Magazine Warhol, Hirst, and Finger Paintings. David Hay, June 19, 2012 pp.139-143
Interior Design Ones to Watch: Solomonoff Architecture Studio. Alexa Stevenson, December 26, 2012
More Magazine Architects, May 2012
New York Times Paved, But Still Alive. Michael Kimmelman, Arts & Leisure AR1, 22, Jan 8, 2012
Metropolis Magazine Baby Rems. Paul Makovsky, January 17, 2011
New York Daily News East Side Story. Jason Sheftell, RE1-3, August 6, 2010
New York Times The Hunt - When 'Live-Work' No Longer Works. Joyce Cohen, RE4, April 4, 2010
New York Magazine The Next Garde, David Colman, p.100, May 21 2007
The Architects Newspaper Issue 13, Architects Turned Developers, pp.5-6, July 27 2005
dA Issue 04 The Public Operatives, ‘Open Office: Dia:Beacon’, pp.82-103, Summer 2004
Surface Magazine Emerging America, ‘The New Yorkers’, p.146, November 2004
The Phaidon Atlas of Contemporary World Architecture Dia:Beacon, p.691, 2004
Architectural Record OpenOffice redefines practice, James Russell, pp. 56-59, December 2003
Casabella Miniere per la cultura, Marco Biraghi, pp.6-12, December 2003
Artforum Box Score: Dia:Beacon, Anthony Vidler, October 2003
Architectural Record Dia:Beacon, New York, James S. Russell, p.108, October 2003
Domus Dia:Beacon, The triumph of the big, Stefano Casciani, Todd Eberle, pp.62-73, Aug 2003
House & Garden The Testy Tastemaker, Mayer Rus, Vol. 172 No.8, p.116, August 2003
Art in America Dia:Beacon The Imperturbable, Nancy Princenthal, July 2003
New York Magazine Do the Dia, Alexandra Lange, July 7 2003
Houston Chronicle Abandoned factory becomes home for contemporary art, Claudia La Rocco, May 2003
The New Yorker The Mission, Calvin Tomkins, May 19 2002
New York Newsday Dia Art Foundation has New Home Upstate, Ariella Budick, May 18 2003
New York Magazine Soho on the Hudson, Mark Stevens, May 26 2003
New York Times A Museum Garden Multitasks, Anne Raver, May 29 2003
New York Times A New Museum as Unconventional as its Collection, M Kimmelman, p.E29, May 16 2003
New York Times An Old Box Factory is Heaven for New Art, Carol Vogel, p.E1, April 23 2003
Artforum Size Matters, Philip Noble on Dia: Beacon, Philip Noble, p.51, February 2003
Metropolis Dia:Beacon, Dia:Beacon, Dia:Beacon, Philip Noble, p.62, February 2003
New York Times Reborn Building to Aid the Arts, Rachelle Garbarine, Section 11, January 5 2003
306090 Journal of Emergent Architecture, Galia Solomonoff, 24 Hour Site, Undergraduate Studio Princeton SoA by Jonathan Solomon, Princeton Architectural Press, May 2002
XTREME Houses edited by Courtenay Smith and Sean Topham. Prestel Verlag, Munich 2002
Living in Motion curated by Matias Schwartz. Vitra Design Museum, 2002
A & D Artists Space, Architecture and Design Project Series, Defective Brick Project, Jenelle Porter, Dec 2001
TRANS Launcher, web-based panel discussion, moderated by Hani Rashid, #9, 10, 2001
New York Times It’s Time Once Again for Design-on-Hudson, William L. Hamilton, p.F3, May 17 2001
W The Building Blocks, Mayer Rus, photographs by Todd Eberle, pp.238-250, October 2000
Metropolis Dia ex Machina, Akiko Busch, October 2000
ArtNews Dia’s New Direction, Hugh Eakin, pp.134-137, June 2000
Interior Design Play Ball, Sheila Kim, pp.240-241, April 2000
Metropolis Art for Architecture’s Sake, John Sullivan, pp.67-71, December 1999
NhEW (NorthousEastWest) Tanja Jordan and Linda Taalman, Danish Architecture Center #13, 1999
Lofts New Designs for Urban Living, Rockport Publishers, Felicia Molnar Editor, Artist Studio, pp.80-84, 1999
Space, Art and Architecture Seoul, Jesse Reiser’s Studio work, November 1998
New York Times House Proud, Joseph Giovanini, pp.8-10, October 15 1998
Interior Design Downtown Deluxe, pp.86-89, October 1998
D la Republica della Donne Magazine Roma, N84, Energia Colorata, pp.80-86, Gennaio 1998
Weekend Knack Modern Interiors Magazine Brussels Open and Bloot, pp.68-76, N42, October 1997
Colossal Urbanism: Projects for New York and Tokyo Stan Allen, Columbia Books of Architecture, 1996